Led by a trio of Korean celebrities, a multinational panel of men engage in mostly lighthearted debates on issues that affect Korea and beyond.

CD:UK was a British music television programme. Originally run in conjunction with SMTV Live, the programme first aired on ITV on 29 August 1998 to rival the BBC's Live & Kicking and was the replacement for The Chart Show, which had been airing on the network for nine and a half years.In contrast to its predecessor, which only showed promo videos, CD:UK was broadcast live on Saturday mornings with a studio audience and featured live performances, as well as star interviews and competitions. It also featured the Saturday Chart, which although was unofficial, usually reflected the new chart positions a day before the official chart was announced on Radio 1. This made the BBC's long-running Top of the Pops, which aired only the night before, seem very out-of-date broadcasting the previous week's chart. CD:UK later utilised an interactive chart based on viewers' votes, called the MiTracks Countdown. From 1999 to 2004, the show was sponsored by Tizer.In 2002, the programmes was criticised for showing "raunchy" performances in a slot aimed at children, sparked by a performance of "Dirrty" by Christina Aguilera. In response, a spin-off programme entitled CD:UK Hotshots, featuring music videos which could be considered unsuitable for daytime viewing, was launched in January 2003 and broadcast overnight.

Two playschool friends Bachchan and Gokhale meet almost after 70 years for a birthday party.

A New York City lawyer's life in the rat race collides with love and chaos when he meets a passionate Colombian entrepreneur from Queens.

You are cordially invited to join Brett Gelman and his Hollywood friends for a lively night of dining, tasty showbiz chit-chat, and psychological torture.

Join comedian Jang Do-yeon as she embarks on epic getaways filled with shopping sprees, fantastic food and lively conversations.

After Dick Harper loses his job at Globodyne in an Enron-esque collapse, he and his wife, Jane, turn to crime in order to handle the massive debt they now face. Two intelligent people, Dick and Jane actually get pretty good at robbing people and even enjoy it -- but they have second thoughts when they're reminded that crime can hurt innocent people. When the couple hears that Globodyne boss Jack McCallister actually swindled the company, they plot revenge.

A morning talk show with A-list celebrity guests, top-notch performances and one-of-a-kind segments that are unrivaled on daytime television, plus spontaneous, hilarious and unpredictable talk.

Dick Van Dyke and Cloris Leachman play an eccentric couple who broadcast their morning radio talk show from their New York apartment in the 1960s.

The director’s grandparents, who have been together for over 60 years, recall (and re-edit) fragments of their life together. The film, originally intended as part of a video installation, captures a return to a nonlinear past, while also probing how textures and the materiality of images can be inscribed onto the cinema screen. 　　“A play of light, shadows, and pixels, Alma Buhagiar’s film comes from afar, from a cinema now forgotten where a superimposition, a portrait dissolving into the landscape, could be suspense, climax, could be a story in itself. Beyond its rarity, the charm of this PATCHWORK is mainly the unspoken seriousness of this game of filming with the grandparents. Of course, showing their love is certainly a pleasure, listening to their spells is a curiosity, and making them dance in each other’s arms is pure joy. Still, it is just as certain that the three of them are aware they are staging scenes for eternity, equally concerned with the past, present, and future. In fact, it may be that this is what any home movie is doing.” (Călin Boto)